Natalie macmaster tour 2015
![natalie macmaster tour 2015 natalie macmaster tour 2015](https://cloudinary-assets.dostuffmedia.com/res/dostuff-media/image/upload/event-9516494/1528367771.jpg)
Her teaching methodology was captured in the 1997 video Fiddle Lesson with Natalie MacMaster (NMAS V 1997 MacMaster Music). During the same year she guest-hosted CBC Radio's Atlantic Airwaves and began to teach at fiddler Mark O'Connor's annual Nashville music camp. In 1996 MacMaster signed a recording contract with Warner Music Canada and released her debut album, No Boundaries. The latter two garnered East Coast Music Awards, and Fit as a Fiddle struck Canadian gold (50,000 copies sold). Two independent records followed: c Road to the Isle (1991, ACC- 49290) and Fit as a Fiddle (1993, NMAS-CD 1972 CBC Maritimes). Natalie MacMaster's first recording, 4 on the Floor (ACC-4979), was released independently in 1989. It's keeping the tradition alive, and who can really argue with that?" Recordings, Awards, and Activities 1989 -Present She explains, "Some people will argue that this ruins the tradition, but it doesn't really. The Cape Breton style still has some rawness." She occasionally layers the traditional music with her original contemporary stylings. "The only place you can find it is on Cape Breton Island. "It's not a very common fiddle style," says MacMaster. MacMaster's traditional Cape Breton fiddling style is based on a rich Highland Scotland repertoire of 17th-, 18th-, and 19th-century airs, strathspeys, marches, jigs, reels, and hornpipes. Two years later she performed at Expo 86 in Vancouver. At 12 she toured the North American Celtic festival circuit. As a child, she jammed with Cape Breton fiddlers Buddy MacMaster (her uncle) and Ashley MacIsaac (a distant cousin). She made her debut playing at Cape Breton square dances, and for three years travelled to mainland Antigonish to study violin with Stan Chapman. When she was nine years old her great-uncle gave her a miniature violin, and she began to learn traditional fiddle tunes by ear. Natalie MacMaster's mother taught her to step dance at age five.
![natalie macmaster tour 2015 natalie macmaster tour 2015](https://raynaleigh.files.wordpress.com/2017/06/sequence.jpg)
Thomas) 2003, hon D MUS (Niagara U, NY) 2006. Fiddler, step dancer, composer, producer, teacher, b Inverness County, NS, B Ed (Nova Scotia Teachers' College), hon doctorate (St. It’s going to be fun to see what they turn out to be.Natalie MacMaster's traditional Cape Breton fiddling style is based on a rich Highland Scotland repertoire from the 17th to 19th centuries (photo by Richard Beland, courtesy Natalie MacMaster). “They don’t have to be fiddlers even though their mom and dad are. Half of their children are already playing the fiddle. “Donnell has the second one already planned out and it’s called 'Two,' ” MacMaster cracks. “Part of what makes this work so well is that it all just happened organically,” she says. MacMaster and Leahy went into the studio with no expectations. But the new songs have a groove and there are intricate harmonies and arrangements, but what I love most about it is when it rocks.” Some are new agey and others are avant and some are simple - bass, drums and electric guitar. “It was so much fun recording songs that rock,” MacMaster says. There are a number of traditional tracks on “One,” but the most ear-grabbing tunes have uncharacteristic brawn. “I have to play it like Uncle Buddy did.”Ĭape Breton is an island east of Canada, just off Nova Scotia, which has inspired MacMaster’s Celtic folk. “There’s no place like Cape Breton,” she says. She follows in the fiddler’s footsteps by delivering the vital and energetic Cape Breton sound. MacMaster crafted a tribute to her legendary uncle, Buddy MacMaster, who died last year at the age of 89. MacMaster and Leahy, who will perform Saturday at the McCarter Theatre, have made a diverse album and is the most muscular project of MacMaster’s career. The devout Catholics recently finished “One” which is available during their tour. We don’t have the focus and the time that we had prior to having children, but my parents instilled in me a great sense of faith and family.” “We have it all, but I’ll be honest - it’s more difficult making music with children,” MacMaster says.